New Jazz Conceptions: History, Theory, Practice

By BCMCR Alumni on December 15th, 2016

By Roger Fagge and Nicolas Pillai

About the book

This collection captures the cutting-edge of British jazz studies in the early twenty-first century, highlighting the developing methodologies and growing interdisciplinary nature of the field. In particular, the collection breaks down barriers previously maintained between jazz historians, theorists and practitioners with an emphasis on interrogating binaries of local/national and professional/amateur.

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